Move over, Sonos — this Marshall soundbar is now my favorite for small spaces

A Marshall Heston 60 compact soundbar
(Image credit: Tom's Guide)

Most TV setups aren't complete without one of the best soundbars. As someone who watches a lot of TV and plays video games on it too, I'm well aware that a TV's built-in speakers can never sound as good as a dedicated soundbar. I don't know about you, but when I'm curled up on my couch, I want to feel like I'm at the movies instead — and the Marshall Heston 60 makes me feel just like that.

The Heston 60 is one of Marshall's two soundbars — the other being the Heston 120 — and it's a compact, mid-range option for those short on space.

Marshall Heston 60
Marshall Heston 60: $699 at Amazon

The Marshall Heston 60 is a powerful soundbar that produces sound well beyond its compact size. With consistent Dolby Atmos performance across movies and TV shows, the Heston 60 produces crisp and clear dialogues balanced well against clean treble and thumping bass. It’s easy to set up and there are plenty of wired and wireless connectivity options available.

A sight for sore eyes

A Marshall Heston 60 compact mid-range soundbar in black

(Image credit: Tom's Guide)

I've tested my fair share of audio gear — headphones, earbuds, speakers, soundbars, you name it. But I've never drooled over a brand's product as much as I have over Marshall's. The British manufacturer's design philosophy is one of sophistication and class, and the Heston 60 is no different.

Available in either black or cream with gold accents, the soundbar looks and feels premium — from its tactile buttons to the soft mesh grille covering.

As I mentioned earlier, the Heston 60 is ideal for small spaces as it measures 28.74 x 4.88 x 2.68 inches and weighs 6.08lbs. It's easy to move it around if needed, and it fits well with sub-55-inch TVs. It's wall-mountable and the Marshall logo is magnetic, so you can stick it wherever you like on the soundbar depending on your setup. I've never seen this feature on a soundbar before and now I wish all of them had it.

It should be noted that the Heston 60 isn't as petite as the Sonos Beam Gen 2, but by soundbar standards, it's still the ideal space-saving solution. The Heston 60, like the Beam Gen 2, is built extremely well too, and looks like it could stand the test of time. That's the least you'd expect from a soundbar that costs $699 / £499, of course.

10/10 performance across the board

A Marshall Heston 60 compact mid-range soundbar in black

(Image credit: Tom's Guide)

It's not just a pretty face. The Marshall Heston 60, like many other Marshall products, sounds extremely good, and you shouldn't be fooled by its size. The Heston 60 is well-endowed, featuring two 25W and five 5W Class D amplifiers which help it produce a maximum power output of 56W.

Dolby Atmos and DTS:X support mean you're engulfed by immersive, spacious soundscapes where sounds are placed precisely above or around you. You feel like you're at the cinema, to be honest.

On paper, the Heston 60 sounds near-perfect, but is it any good in real world usage? Absolutely. 'Top Gun: Maverick' is the benchmark film for soundbar testing here at Tom's Guide, so that's the first movie I watched. The metal clinking of the fighter jets and the ropes whooshing as the planes took off in the opening sequence was loud and clear, and I could feel the bass response in my chest.

A Marshall Heston 60 compact mid-range soundbar in black

(Image credit: Tom's Guide)

The balance between the various frequencies sounded sublime, and dialogue separation was excellent too, especially in 'F1: The Movie' where each commentator's, driver's and pitlane engineer's voice was discernible and clear.

There are four sound modes for users to enjoy, and though the bass is reduced in Voice mode, the low rumbling of the cars was enough to provide a good backbone to the film.

It's worth noting that I watched these two movies on 4K UHD Blu-Ray, but the Heston 60 performs formidably even in non-4K UHD movies and TV shows. Clear sibilance and plosives made it a treat to watch 'Agatha All Along,' and the Salem Seven's shrieks and bone-crunching noises worked harmoniously with the bass to deliver a spine-chilling soundscape. You can, of course, check out my in-depth sound analysis in my full Marshall Heston 60 review.

But is it worth the price?

A Marshall Heston 60 compact mid-range soundbar in black

(Image credit: Tom's Guide)

The Sonos Beam Gen 2 retails for $499 / £449 but you can often find it down to $349 / £349 during sales events, like Black Friday. This isn't surprising, of course, given that the soundbar came out all the way back in 2021.

The Marshall Heston 60, in comparison, was released towards the tail-end of 2025, so it hasn't received any major discounts yet. You can grab it for $699 / £499.

Marshall Sub 200
Marshall Sub 200: $599 at BHPhoto

The Marshall Sub 200 is a great option for those who want some extension below the 45Hz mark as the Heston 60 covers a frequency response range of 45Hz-20KHz only.

I know that sounds like a lot of money, and it's $200 more than what the Beam Gen 2 costs. While you miss out on voice assistant support, you gain DTS:X support instead, which is arguably a better feature to have. Both soundbars are also compatible with their respective subwoofers — the Sub Gen 3 ($799) for the Sonos and the Heston Sub 200 ($599). This brings the price of each package to $1,298. If I had to choose one, it would have to be the Heston 60.

In my opinion, the Heston 60 delivers more consistent Dolby Atmos performance but the Beam Gen 2 boasts slightly improved dynamics. You don't get as many connectivity options on the Beam Gen 2 either — there's no 3.5mm aux in, USB-C or Bluetooth which you'll find on the Heston 60. You can stream music over Wi-Fi, yes, but I like the additional option of streaming over Bluetooth or using the USB-C and 3.5mm jack for wired playback.

It's pricy, but it's well worth it.


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Nikita Achanta
Senior Writer, Reviews

Nikita is a Senior Writer on the Reviews team at Tom's Guide. She's a lifelong gaming and photography enthusiast, always on the lookout for the latest tech. Having worked as a Sub Editor and Writer for Canon EMEA, she has interviewed photographers from all over the world and working in different genres. When she’s not working, Nikita can usually be found sinking hours into RPGs on her PS5, flying a drone (she's a licensed drone pilot), at a concert, or watching F1. Her work has appeared in several publications including Motor Sport Magazine, NME, Marriott Bonvoy, The Independent, and Metro. You can follow her photography account on Instagram here.

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