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Hello all,
Paul W. Felch here from the group Three Men and a Tenor. We are about
to go national and have been using the classic Shure Beta 58 and/or Shure SM
58 wireless mics for 13 years now. We are in the market for new mics for
the new year and are interested in the opinions of techs as to the best mics
for us.
These mics will see anywhere from 500-700 hours of road (stage &
rehearsal) use in a year along with the need of a large frequency channel
range to find clean channels in all the cities we will be in. (Understanding
that if/when we go overseas on tour that their airwave regulation and freq
allocations are different and we will again just rent mics there). We are
four vocalists who imitate the sound of a band. Their use will include a
touch of "beat-boxing" (percussive air bursts on the transducer) to soft and
delicate 4-part ballads. I as the Bass Singer reach a low B up 3 1/2
octaves to our Tenor who has a tremendous falsetto (close to Aretha Franklin
in power for high notes). We also depend on clean crispy high freq's such
as a cymbal (we use the Sssss sound as high-hat/crash drum sounds).
Who in the business is using what and why? We are open for an
endorsement deal also. Thanks for any help you can offer!!
P.W. Felch
Bass Singer/Song Writer
Three Men and a Tenor
paulf@threemenandatenor.com
Three Men and a Tenor
www.threemenandatenor.com
Hello all,
Paul W. Felch here from the group Three Men and a Tenor. We are about
to go national and have been using the classic Shure Beta 58 and/or Shure SM
58 wireless mics for 13 years now. We are in the market for new mics for
the new year and are interested in the opinions of techs as to the best mics
for us.
These mics will see anywhere from 500-700 hours of road (stage &
rehearsal) use in a year along with the need of a large frequency channel
range to find clean channels in all the cities we will be in. (Understanding
that if/when we go overseas on tour that their airwave regulation and freq
allocations are different and we will again just rent mics there). We are
four vocalists who imitate the sound of a band. Their use will include a
touch of "beat-boxing" (percussive air bursts on the transducer) to soft and
delicate 4-part ballads. I as the Bass Singer reach a low B up 3 1/2
octaves to our Tenor who has a tremendous falsetto (close to Aretha Franklin
in power for high notes). We also depend on clean crispy high freq's such
as a cymbal (we use the Sssss sound as high-hat/crash drum sounds).
Who in the business is using what and why? We are open for an
endorsement deal also. Thanks for any help you can offer!!
P.W. Felch
Bass Singer/Song Writer
Three Men and a Tenor
paulf@threemenandatenor.com
Three Men and a Tenor
www.threemenandatenor.com